Tutankhamun Faithful Replicas

The funerary mask of Tutankhamun, one of the most iconic artifacts of ancient Egypt, is of truly exceptional craftsmanship. The original to this faithful model is made of solid gold and inlaid with semi-precious stones such as lapis lazuli, quartz, green felspar, and obsidian, it also bears a protective spell from the Book of the Dead on its back. The vulture and cobra on the king’s brow symbolize Nekhbet and Wadjet, representing a unified Egypt under the young pharaoh’s rule.

The funerary mask of Tutankhamun, one of the most iconic artifacts of ancient Egypt, is of truly exceptional craftsmanship. The original to this faithful model is made of solid gold and inlaid with semi-precious stones such as lapis lazuli, quartz, green felspar, and obsidian, it also bears a protective spell from the Book of the Dead on its back. The vulture and cobra on the king’s brow symbolize Nekhbet and Wadjet, representing a unified Egypt under the young pharaoh’s rule.

The funerary mask of Tutankhamun, one of the most iconic artifacts of ancient Egypt, is of truly exceptional craftsmanship. The original to this faithful model is made of solid gold and inlaid with semi-precious stones such as lapis lazuli, quartz, green felspar, and obsidian, it also bears a protective spell from the Book of the Dead on its back. The vulture and cobra on the king’s brow symbolize Nekhbet and Wadjet, representing a unified Egypt under the young pharaoh’s rule.

A pair of splendid gilded statues were found standing next to a wall in the tomb of Tutankhamun, facing each other. Guarding what appeared to be a solid blank wall, this turned out to be the sealed entrance into the burial chamber. The two statues are largely identical, the main difference being their headdresses. These statues are not merely guardians though: They represent Tutankhamun himself. The text on one of the statues also identifies it as the "king’s ka" his divine life force.

The throne of Tutankhamun is one of the most exquisite pieces of furniture from ancient Egypt. Contrasting with the dazzling—even imposing—effect of the throne of the Pharaoh of Egypt, its backrest features a tender scene of the young king and his queen, Ankhesenamun, in an intimate domestic moment in which she is rubbing ointment on him.

This ceremonial chair testifies to the heights of skill reached by the ancient Egyptian craftsmen. It is made to look like a folding chair, but it was designed to not be closed. It is the workmanship of artifacts like these that have rightfully transformed Tutankhamun, a king who died at only around 18–20 years of age, into a household name.

Three splendid ritual couches, or funerary beds, were discovered in the tomb of Tutankhamun. The sides of each, beautifully rendered, take the shape of a different animal: a lion, a cow, and a hippopotamus. The hieroglyphic texts inscribed on them suggest that these were not used by Tutankhamun in life, but after his death in funerary rituals that aided the deceased king in his journey from this life to the next.

The three coffins of Tutankhamun rank among the finest and most impressive of all finds from his spectacular tomb. The three coffins were skillfully made to be just the right size to be nested within one another, thus offering Tutankhamun layers of protection, both physical and magical. The king’s depiction is clearly identifying him with Osiris, the king of the underworld. In death, the ancient Egyptians were identified with Osiris so they too could live on in the afterlife, just as he had.

The canopic chest of Tutankhamun is one of the finest masterpieces of ancient Egyptian craftsmanship. Its interior is divided into four cylindrical compartments, each of which contained a miniature gold coffinette holding the pharaoh’s embalmed viscera. Each compartment was sealed with a beautiful lid in the form of a bust of the young king. Carved in delicate raised relief, Isis, Nephthys, Neith, and Serqet, stand in the corners, arms outstretched in protection.

The canopic chest of Tutankhamun is one of the finest masterpieces of ancient Egyptian craftsmanship. Its interior is divided into four cylindrical compartments, each of which contained a miniature gold coffinette holding the pharaoh’s embalmed viscera. Each compartment was sealed with a beautiful lid in the form of a bust of the young king. Carved in delicate raised relief, Isis, Nephthys, Neith, and Serqet, stand in the corners, arms outstretched in protection.

Ptah was an extremely important creator god, and he was the patron deity of craftsmen and of the great city of Memphis. In the myth in which he appears as the creator, Ptah planned creation in his heart, and brought everything into being by pronouncing them into existence with his tongue.

Discovered in the tomb of Tutankhamun, this statuette depicts the god Qebehsenuef, one of the Four Sons of Horus. Each of them protected one of the four organs that were traditionally removed from the body and embalmed separately during the mummification process: the lungs, stomach, liver, and intestines. Qebehsenuef, who came to be canonically represented with the head of a jackal, was responsible for the stomach.

The Funerary Figure of Duamutef from the burial of Tutankhamun represents one of the Four Sons of Horus, protectors of the internal organs. Shown with a falcon head, Duamutef was entrusted with safeguarding the intestines of the king and was under the protection of the goddess Selket. This figure formed part of the royal funerary equipment, ensuring divine protection and rebirth in the afterlife.

The mannequin is a torso-only figure, with arms and legs intentionally absent, reflecting its practical use by attendants and tailors to fit and display his clothing and ceremonial attire. This fascinating artifact provides a rare glimpse into the preparation and care of the pharaoh’s wardrobe, revealing the sophistication of royal attire and shedding light on the daily practices behind Egypt’s ceremonial and courtly life.

The sculpture depicts the head of Tutankhamun rising from an open lotus flower. Here, the king appears in the guise of the god Nefertem, the deity associated with creation and rebirth, emerging from the lotus flower. The image is a powerful symbol of the pharaoh’s eternal renewal and perpetual rebirth in the afterlife.

The horse-drawn chariot was one of the most technically sophisticated technologies in existence in the Bronze Age. Egyptian chariot makers were among the most accomplished of their time, and the chariots discovered in the tomb of Tutankhamun amply testify to this. Six were found, no two truly alike. Two of them, including the one wonderfully replicated here in this fabulous Konouz product, were highly decorated and not designed for rugged terrain: They were for grand royal processions intended to impress and project royal power.

Models equipped with masts and square sails to navigate against the prevailing winds. The 35 wooden model boats found in Tutankhamun's tomb are important in that they represent the last large group of model boats which has survived from Ancient Egypt and are the only complete group to have survived from the 18th Dynasty. They are, therefore, our main evidence 'in the round' for vessels of that period. They supplement the information provided by reliefs and paintings and supply important information on many aspects of Ancient Egyptian boat design and development of the period.

In ancient Egypt, coffins were far more than simple burial boxes; they were "chests of life" designed as a sacred vessel to protect the body and guide the soul into the afterlife. Their artistic value lies in their dual role as high-status status symbols and functional religious maps, evolving from simple rectangular wood boxes into elaborate, human-shaped masterpieces of sculpture and painting.

The gilded bier of Tutankhamun is a heavy, lion-shaped wooden bed covered in gold leaf, found in the burial chamber. It served as the base for the king's nested coffins inside the stone sarcophagus, featuring lion heads at the front and tails at the back, along with curved supports to hold the outer coffin. Upon it There is a small model of King tut’s mummy covered by bondages .

The statue embodies the symbolic relationship between God and the king, Amun by giving Tutankhamun the legitimacy of rule and divine protection. Amun, the "Hidden One," was the supreme King of the Gods in ancient Egypt, representing the invisible power of the air and wind. Originally a local deity of Thebes, he eventually merged with the sun god to become Amun-Ra. Often depicted wearing a crown with two tall plumes or as a ram, he was the divine patron of the Pharaohs and the heart of the Great Temple of Karnak.

This ornate chest, with its vaulted lid and vividly colored, animated painted scenes, is renowned for its exceptional artistic quality and meticulous attention to detail. Its decoration portrays Tutankhamun triumphing over foreign armies and wild animals, symbols of chaos. Thus embodying Maat, the ancient Egyptian concept of cosmic order and justice, the king is shown fulfilling his essential role as protector of Egypt against all threats.

Three beds were discovered in the tomb of Tutankhamun that were different from his other beds: The texts on them make it clear that these were for the use of the deceased king, probably for rituals relating to rebirth into the afterlife. The two sides of each of these funerary beds were made in the shape of an animal, one of these being lionesses. This Konouz product faithfully emulates one of the two heads of the lionesses who are believed by most to depict the goddess Isis-Mehtet.

This statue depicts Tutankhamun in the form of Shu, the god of air who separated the sky from the earth at the moment of creation. The king stands with raised arms in the traditional pose of Shu, symbolically supporting the heavens. By assuming this divine role, Tutankhamun is presented as a cosmic sustainer, reinforcing his authority as ruler and his intimate connection with the forces that maintain universal order.

One of the most stunning finds from the tomb of Tutankhamun, this cow head reveals the importance of the symbolism of the cow in ancient Egyptian religion. Often associated with birth, rebirth, creation, and fertility, the cow was a deeply appropriate way to depict goddesses connected with these fundamental concepts. The original to this faithful model is fashioned from wood and covered in gesso and gold leaf. With its inlaid eyes, long horns, and august demeanor, the sculpture radiates the serene majesty of cow goddesses.

This beautiful Konouz item is a faithful emulation of a cosmetic vase from the tomb of Tutankhamun fashioned in the form of an ibex, an animal associated with renewal in ancient Egyptian symbolism. The original once held perfumed oils. The left shoulder bears the king’s name within a cartouche crowned with a solar disk and feathers, affirming royal ownership. The original vessel illustrates the creativity of Egyptian artists and the association of cosmetic objects with renewal, and reflects the refined nature of courtly life during the reign of Tutankhamun.

Finely sculpted protective recumbent lion on its lid with open mouth and protruding red tongue is acting as a guardian or a magical protector.  The lion was associated with powerful deities like Sekhmet (goddess of war) and Maahes (the lion-headed god of protection), further cementing the pharaoh's divine authority.